2017-10-25 | CREEPDANCE C:/LEAN WATER REVIVAL

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2017-10-21 | Heathers on Tour

According to the motto „your documentation is my documentation is my material is my next show“, Heathers on Tour (embodied by the artists Veronika Burger, Nora Jacobs and Nicole Sabella) combine performance objects, texts and choreographic elements from earlier works with new costumes and a central revolving stage to create a performative installation inspired by horror film scenarios.
Performance and lecture provide insight into the female artist collective’s feminist working approach.

Veronika Burger, Nora Jacobs and Nicole Sabella met while studying at the Academy of Fine Arts in Vienna and collaborate since 2013. They concentrate on a post feminist analysis of female characters in horror movies. Horror movie characters – like the “final girl” – are transferred from screen onto stage while maintaining an atmosphere of uncanniness.

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2017-10-17 | Moor Mother

Moor Mother

https://vimeo.com/238714794

is an experimental music project by Camae Ayewa, a musician and poet from Philadelphia, United States. Her work has been labelled “hardcore poetry,” “power electronics,” “slaveship punk,” and “protest music. Ayewa herself resists categorization, preferring to self-identify through terms such as “time traveller” and “truth teller.” A self-described Afrofuturist, she uses spacetime-bending sound and lyricism to reformulate concepts of memory, history, and the future in an afrocentric or afrodiasporic tradition.

online
https://facebook.com/MoorMother
https://soundcloud.com/moor-goddess
https://moormothergoddess.bandcamp.com/

press
http://pitchfork.com/reviews/albums/22424-fetish-bones/
http://thequietus.com/articles/21462-moor-mother-fetish-bones-album-review
https://www.theguardian.com/music/2017/apr/20/moor-mother-hip-hop-artist-camae-ayewa-black-experience-civil-rights-interview

Owl (DK/NO)

https://vimeo.com/238688741

In a cinematic room in which the sounds seem to be moving around inside your head, an uncertainty about where the sounds are coming from occurs.
The freely improvising duo Owl organically blends the acoustic sounds from the alto saxophone with the electric sounds from the electric guitar, contact microphones, and other electronics.
Their free play with preparations as well as the sense of room and depth display the duo’s influences by noise, minimalism and free improvisation.

Karl Bjorå (NO) – Guitar & electronics
Signe Emmeluth (DK) – Alto saxophone & electronics

SoundCloud: https://soundcloud.com/owl-norway/sets/december-session

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2017-09-23 | Resina, Muhammad

Resina (FatCat Records, PL)
Post-classical experiments with cello and electronics.
https://www.fat-cat.co.uk/artist/resina

https://vimeo.com/235659380

mohammad (PAN, GR)
Low frequencies, inter-modulations, dark textures, and distant folk nuances through custom made instruments and software.
https://mohammadsound.bandcamp.com/

https://vimeo.com/235877116

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2017-06-10 | Zmrzlinový masakr

my saturday laziness and shy nature resulted in me not taking pictures of any ice cream, even though that was the whole point of this event. you know, the usual stuff

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2017-05-30 | Hudba PRAHA

VISIBLE CLOAKS (Rvng Intl. / US)
MISTY PICTURE (CZ/BE)
GENOT CENTRE DJ SET
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2017-05-05 | Hudba PRAHA / Dälek (US)

Kultovní hiphop-noise projekt Dälek přijíždí po 9 letech do Brna ve složení MC Dälek, DJ rEk, Mike Manteca s aktuálním albem Asphalt for Eden (2016).

https://facebook.com/dalekmusic
https://dalek.bandcamp.com/
https://deadverse.com/
https://open.spotify.com/album/7MhCpYjnvvaGMIZHaXNXAF

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